Kelli Scofield to present first solo show at TASI in November It’s always difficult finding words to describe someone else’s work to an audience. Art reviews are an imperfect science of conjecture and anticipation — a balancing act between the known and unknown and certainly a challenge between the authentic and the clichéd. Kelli Scofield’s
HOUSTON — The Aboriginal peoples of Australia refer to their ancestral lands simply as “Country.” Aboriginal culture dates back 80,000 years, and there is rock art that dates back 20,000 years. In many ways, the art of the indigenous Australians has changed little in philosophy. The medium may have changed (sometimes), but the art still
Click here for digital version. Inside: Kelli Scofield’s “Equilibrium” Gaudi’s Park Güell “Mapa Wiya” Aboriginal Art
Click here for digital edition. Inside: Tenants Show Clay Man in Japan Remembering Kava Krasner at the Barbican and more.
Click here for digital version Inside: Reianuer’s “Allegories” AMSET curator Rockefeller TASIMJAE 2019 Wrap Up and more
The Art Museum of Southeast Texas will present “Jooyoung Choi: Big Time Dreaming in the Age of Uncertainty,” March 16 through June 2. The exhibition will delight visitors with a mixed media, site-specific installation inspired by Choi’s ongoing investigation of her Cosmic Womb mythology. Born in Seoul, South Korea, Choi was adopted at the age
Beaux Arts Ball, annual Studio fundraiser, draws large crowd of revellers to ‘Moulin Rouge’ More than 100 people gathered at The Art Studio, Inc., Jan. 19, for the organization’s Beaux Arts Ball annual fundraiser. This year’s theme was “Moulin Rouge,” and participants dressed in a variety of fin-de-siecle costumes, as well as characters from the musical
Click here for digital version Inside: Moulin Rouge Beaux Arts Ball Holiday Shop-O-Rama Extravaganza Geek’s Holiday Gift Guide Scheile: Master of Line and more
Artists Pearson, Nesmith unite in art, marriage Art could be described as the creation of form and beauty, and Van Gogh said, “Nothing is truly more artistic than to love people.” Either could be a fitting description for Mark Nesmith and Elizabeth Pearson’s Nov. 3 exhibition, “Love and Paint,” at TASI. The show is a
